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Onstage and backstage with Springsteen at “Late Night With Jimmy Fallon”

springsteen fallon backstage


Twice now, through no appreciable talent or skill of my own, I’ve been lucky enough to fly to New York City— at not very many moments’ notice — to stalk Bruce Springsteen. I did it last year when he performed on “Late Night With Jimmy Fallon,” thanks to the success and unprovoked generosity of an old friend who books the musical talent and is inexplicably gracious to inveterate obsessives. On that first trip a buddy and I found ourselves, suddenly and without adequate warning, in a conversation with Bruce Springsteen about children, parenting and the community of siblings, a three-minute galactic improbability that sort of resulted in the birth of my second son. (Long story.)

I did the same last week (fly to New York, not have a son), due to a second lightning strike of luck and babysitting, and found myself once again in the lobby at 30 Rock swarmed by a buzzing mass of Bruce people and happily dazed tourists. As it turned out, one of the swarming people in our ticket line looked a lot like Seth Avett of the Avett Brothers, a band that I’ve stalked a fair amount as well (my Billboard review of “I And Love And You,” and me interviewing them at Bonnaroo in 2010). You know that thing where you stare at somebody like an idiot, trying to see if it’s really that guy, but you can’t tell, and the wifi doesn’t work so you can’t Google image him so you stand there like a hopeless yokel until someone else confirms the identity for you? You do? Great.

The show, of course, was a delirious joy. Springsteen made a babushka joke, which, as a dutiful Slovak, I’m pretty sure was written just for me (thanks, Boss). The ’80s-bandanna/LMFAO sketch was a perfect sequel. There was a bit during a commercial break in which the zipper on Springsteen’s black leather jacket got stuck, and the short version is for three minutes off-air two women struggled to free a fake-panicking Bruce Springsteen from his clothes while Jimmy Fallon impersonated Bruce’s preacher-man persona and the Roots laid down what I think was polka music. I very much enjoyed writing that sentence.

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