Category Archives: music

Attn Fellow Old People: This is What ‘Despacito’ Is (via The Loop / Golf Digest)

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Golf Digest — Over the weekend, the global reggaeton smash “Despacito” became the most-viewed YouTube video of all time, a cross-cultural milestone that came as a total shock to the vast percentage of us who have never consciously heard “Despacito.” Released in January and now boasting more than 3 billion views, the track unseated the previous most-viewed thing in the history of Earth, Wiz Khalifa and Charlie Puth’s “See You Again,” which unseated the previous previous winner, and there’s no way to accurately get across how hard we’re sighing while typing this, “Gangnam Style.”

“Despacito” is performed by Puerto Rican singer Luis Fonsi and reggaeton star Daddy Yankee, two very famous and accomplished musicians whom we would not recognize in the slightest. And while we are experiencing strange sensations of cultural optimism about how America’s wall-happy culture still allows for global-reach music performed in “other languages,” we have no idea what this song is. So, for those of us who confess to being out of touch with this particular milestone (read: are old as hell), a primer to “Despacito,” as written by a guy who will hear it for the first time in approximately 15 seconds.

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The All-Ages Genius of Rockabye Baby (via the Washington Post)

I ain’t sorry.

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Washington Post — Pro tip for aspiring PR executives: If you’re ever announcing a Beyoncé-themed baby product, try to do so just days before she Instagrams her pregnancy.

Such was the most recent stroke of good news in the potent, enduring tale of the Rockabye Baby series, which for 11 years and 78 albums has tried to alleviate one of the worst parts of being a parent — the music — with lullabied instrumental covers of songs from, you know, real bands. The Beyoncé version is the latest in a list that includes Prince, the Beatles, Springsteen, the Pixies, David Bowie, Eminem, the Cure, Guns N’ Roses, Rush, Kanye West, Radiohead, Adele, Cyndi Lauper, Tool and Iron Maiden. (If you think you had a weird day at work, imagine trying to coax “The Number of the Beast” out of a harp and glockenspiel.)

A look inside the world of the planet’s dominant Kanye West lullaby-making machine.

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How the Lumineers Took Over Folk-Rock with Two Sounds and a Snappy Pair of Suspenders (via Indy Star)

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Indy Star — Rarely have clomping feet and two onomatopoeias made a bigger splash than they did in “Ho Hey,” the evocatively old-timey and globally ubiquitous single from the self-titled debut by the Lumineers — you may remember it if you turned on a music machine in 2012. In not even three minutes, the world’s leading melancholy folky foot-stomping breakup anthem both threw more coal on the folk-Americana fire and vaulted the Lumineers from the Denver coffeeshop circuit to arenas, other continents and festivals full of people who like to clap and stomp together. Jeremiah Fraites — the one without suspenders — spoke by phone from an early tour stop in Chicago about “Ophelia,” opening for U2’s “Joshua Tree” tour and how to make a hockey arena feel like a Colorado coffeeshop.

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The Head and the Heart on “Signs of Light,” ’90s Videos and Bob Knight (via Indy Star)

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Indy Star — Tyler Williams, drummer for the Seattle-based folk-rock outfit The Head and the Heart, can remember every single show his band has played in Indiana. He’s got good reason: His parents hail from Columbus, his mom is an IU graduate and his dad’s decorating tastes are heavy on the Hoosiers. “(My mom) was there for (former coach Bob) Knight’s undefeated season in ’76,” Williams said. “And my dad still has a shrine to Knight in the basement.”

The Head and the Heart has been enjoying plenty of acclaim of their own since the release of their 2011 self-titled debut, which quickly settled into a prime spot in the post-Mumford artisan folk-rock scene and became the best-selling debut for Sub Pop records in years. That album produced “Lost in my Mind” and “Down in the Valley,” which continue to appear on your Pandora stations, as well as a studio version of the band’s stirring, gospel-kissed “Rivers and Roads,” which had served as their walk-off song for years. The 2013 follow-up “Let’s Be Still” was maybe a little more intimate and refined than its predecessor, but it enjoyed a warm reception and kept the band plenty busy on the road. The full interview at the Indy Star.

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Henry Rollins on His Favorite Indiana Bands, This Stupid Election and Why He Writes Like He’s Running Out of Time (via the Indianapolis Star)

Works more than you do.

Works more than you do.

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Indianapolis Star — Spoken-word artist, actor, former Black Flag frontman, activist, authoritative-opinion owner and self-described “vinyl cat lady” Henry Rollins is a guy who — to steal a line from a musical about another American overachiever — writes like he’s running out of time.

Rollins, 55, and his endless-bordering-on-insane work ethic has positioned him not just as the “aging alternative icon” he jokingly called himself in the past, but as a harder, steelier critic on a culture that offers no shortage of material. His current spoken-word tour, featuring shows that routinely hit the three-hour mark, visits Indianapolis shortly after Election Day, so there should be no shortage of material.

Rollins checked in via email in September from a tour stop in Australia, weighing in on his approach to the election and what his audience means to him now:

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Question: Obvious yet sincere opener: Who are your favorite musicians/bands from Indiana? 

Answer: The Ink Spots. I got introduced to their music in the late 1980s.

Q: You’ll be here shortly after Election Day/Recount Week/The Fall of the Republic. What’s your mood been about the election?

A: Indifferent. I will vote and live with whatever the result is. President Obama tried to make things better. Congress and the USA were not interested. To be overly concerned with a country that obviously isn’t motivated to confront global climate change, renewable energy, health care or education is a fool’s errand. Marriage equality, something easily covered by the First, Fourth and 14th amendments of the Constitution, had to go to the Supreme Court. USA lost me. I just pay my taxes and obey the law. Past that, I hope I don’t get shot.

The full interview at the Indy Star.

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Springsteen’s Record-Breaking Night in New Jersey: There is Something Wrong With This Man (via Live Nation TV)

City = busted in half

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Live Nation TV — Something is wrong with Bruce Springsteen. On Tuesday night, to open a three-night series at MetLife Stadium in his home state of New Jersey, he played three hours and 52 minutes–his longest-ever show on U.S. soil and a demonstration of terrifying fitness for a 66-year-old. On Thursday night, at the same stadium, he ambled right out and promptly beat his record by eight minutes. His TWO-DAY-OLD RECORD. If you’re seeing him on Sunday night, bring protein bars.

Whatever your count, Thursday’s show is easily the speediest-feeling four-hour anything I’ve attended. It’s important to note that in the mythological Legends of Springsteen passed down through the generations, the marathon shows he performed on the Darkness and River tours often included an intermission, or a long speech about how he met Clarence, at the very least an encore break. The MetLife shows had zero of these. For the second night in Jersey, Bruce eschewed the full-River construct that was the basis for the River Tour in the first place, but dug up a bunch of the album’s high spots, including “I’m a Rocker,” “Cadillac Ranch,” and “Hungry Heart,” which he sang, naturally, strolling around the floor. Here’s what else he did.

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How I Destroyed a Bruce Springsteen-Related Guinness World Record in 60 Seconds Flat (via Success Magazine)

Screen Shot 2016-08-08 at 10.21.52 AM August 8

Success — Jumping right into the book of Guinness World Records with the mission of finding one to break is daunting. You’re not simply trying to decide how to order your eggs or which project to launch, you’re trying to be remembered for something incredible—something that will etch your name into a metaphorical mountain that will endure time, memory and erosion. Have you ever sat down and said, “All right, at what thing should I become the best in the world?” It’s scary. Big ambition can be. So I went with the only thing I knew I was really good at.

The full story at Success magazine.

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Chris Cornell Has an Absurd Number of Songs (via Indy Star)

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Indy Star — Great Caesar’s ghost, Chris Cornell has a lot of songs. Technically his current solo acoustic tour supports “Higher Truth,” his sterling fifth solo record and one that’s powered not by the thunderstorm roar of Soundgarden and/or Audioslave but an acoustic guitar — though, happily, his valkyrie four-octave voice hasn’t gone anywhere. (If you haven’t, check out “Nearly Forgot My Broken Heart,” a near-perfect single and a fine on-ramp into where he’s going with this.)

But Cornell’s show, which visits the cozy environs of the Murat on July 9, also draws from a galaxy of work that includes — deep breaths — grunge pioneers Soundgarden, the rhythmic and raging Audioslave, the Seattle supergroup Temple of the Dog and his previous four solo records (including that one with Timbaland). Throw in a James Bond theme, his contribution to “12 Years a Slave,” a cut from the “Singles” soundtrack, a track from a second Seattle supergroup Mad Season and a Donald Trump spoof called “Make America Great Again” and we’re dealing with a pretty huge grab bag.

But more than shining a light on his catalog, this tour serves to reinforce just how powerful Cornell’s voice remains. At 51, he’s applying it to reframed versions of “Black Hole Sun,” “Blow Up the Outside World” and “Doesn’t Remind Me.” But he’s also throwing in material from his recent round of killer viral covers, including a room-flattening “Nothing Compares 2 U,” a rewrite of “The Times They Are a’Changin’,” (in Cornell’s version, they aren’t) “Thank You” (something that probably happens after three solid decades of Plant comparisons) and a live mashup of Metallica’s “One” vs. U2’s “One,” which sounds like it has no right to work and then totally does.

Here’s how he makes his picks, via the Indy Star.

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Luke Bryan Is About to Play to an Awful Lot of People in Indiana (via Indy Star)

636028018097583505-PR-shot-A-Jim-WrightIndy Star — If you’re a fan of beach-country megalith Luke Bryan, you are in the right state. This weekend, Bryan plays back-to-back nights at the Klipsch Music Center, the only act pulling a double-shot there this summer. In October, he’ll bring his eighth annual Farm Tour back to picturesque Spangler Farms near Fort Wayne. All told, in the next three months, Bryan will play to something like 65,000 people in Indiana, after having done basically the same thing last year. (If you’re counting, he also performed in Evansville in February.)

Of all the seat-fillers (and shakers) in country, Bryan is one of the most astonishingly reliable; he and Kenny Chesney could easily spend an evening comparing stadium-show statistics. But for all his success singing of the party life, there are hints of change: Bryan retired his series of annual beer-splashed Spring Break concerts and EPs last year, which was both cause for sadness among his Coppertone-and-bikini-topped fans and probably a solid idea, as — let’s be honest — he’s knocking on 40, married to his high-school sweetheart and raising three kids.

More from one of country’s most reliable draws at the Indy Star.

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Darius Rucker on NASCAR, ‘Purple Rain’ and How He Ended Up Playing Jesus in a Back Seat with Billy Ray Cyrus (via Indy Star)

darius rucker

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Indy Star — Darius Rucker’s Saturday night show should be a little less stressful than his last appearance in Indy, when he had to sing to 350,000 people and time his performance to fighter planes.

“I get a phone call from my manager and he says, ‘They want you to sing the anthem at the Indy 500,’ Rucker says, “I was like, ‘There are so many singers in the world — they want me to do it?”

There are, and he did, and it was an honor — just one that required timing the big finish to the roaring appearance of two F/A-18 Hornets and two E/A-18G Growlers. “You have to sing it at the right time, the planes might be late, the planes might be early,” Rucker laughs. “There’s a guy on the radio with the pilots telling me ‘Stretch it out, stretch it out.’ I was like, ‘Man I’m stretching as much as I can! What do you want me to do, scat in the middle?”

More at the Indy Star.

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