Category Archives: interview

How the Lumineers Took Over Folk-Rock with Two Sounds and a Snappy Pair of Suspenders (via Indy Star)

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Indy Star — Rarely have clomping feet and two onomatopoeias made a bigger splash than they did in “Ho Hey,” the evocatively old-timey and globally ubiquitous single from the self-titled debut by the Lumineers — you may remember it if you turned on a music machine in 2012. In not even three minutes, the world’s leading melancholy folky foot-stomping breakup anthem both threw more coal on the folk-Americana fire and vaulted the Lumineers from the Denver coffeeshop circuit to arenas, other continents and festivals full of people who like to clap and stomp together. Jeremiah Fraites — the one without suspenders — spoke by phone from an early tour stop in Chicago about “Ophelia,” opening for U2’s “Joshua Tree” tour and how to make a hockey arena feel like a Colorado coffeeshop.

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HGTV’s Two Chicks and a Hammer Nail Down a Second Season of ‘Good Bones’ (via Indianapolis Monthly)

two chicks and a hammer good bones hgtv

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Indianapolis Monthly — There are a lot of ways to destroy a chimney—and most of them are satisfying—but Mina Hawk (née Starsiak) says you’re really only supposed to stick with one. “A brick at a time,” says Mina, over coffee/La Croix at Calvin Fletcher’s coffee shop in Fletcher Place. “We allllll went to college. We allllll understand gravity.”

But during a recent day of shooting the second season of Good Bones, the HGTV home-renovation show she headlines with her mother, Karen E Laine, Mina suddenly found herself dealing with a second, considerably more dramatic method. “Spoiler alert,” says Mina, sounding as if she’s still trying to convince herself she saw this. “Tad just pushes it over.”

Tad is Mina’s college-aged little brother and the guy in charge of the Good Bonesdemolition crew. Tad’s gift is for breaking things. But here, Tad has made what Mina clearly regards as a questionable decision. “Tad is on the roof, sees the chimney wobbling, and pushes it over. It goes straight through the roof. Huuuuuge hole,” says Mina, sounding either scolding or impressed; I can’t actually tell which. For her part, Karen is more delighted. “We were all like, ‘That was really cool! But shit!’”

This is more or less a standard afternoon on the set of Good Bones, currently shooting a second season that premieres in May. Good Bones differs from many home-renovation shows in two key departments: 1. Significant increase in angry falling towers of brick, and 2. Mina and Karen handle nearly everything themselves.

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Fan Friction: The 10 Most Memorable Moments from the IU/Purdue Rivalry (via Indianapolis Monthly)

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Indianapolis Monthly

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Indianapolis Monthly — Indiana basketball’s defining rivalry rekindles twice in February with two new episodes of a series Purdue currently leads by a reasonably commanding 115–89. Aaaand you know where this is going: That’s where IU people say “banners,” and Purdue people say “dusty,” and IU people mention how Purdue’s dominance was mostly before color movies, and Purdue people observe that the schools are dead even with 22 regular-season Big Ten titles each, and IU people bring up Gene Keady’s $600 comb-over, and Purdue people note how none of their coaches have ever been fired for forcefully scolding a 19-year-old. Here’s what got (and kept) the ball rolling.

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Henry Rollins on His Favorite Indiana Bands, This Stupid Election and Why He Writes Like He’s Running Out of Time (via the Indianapolis Star)

Works more than you do.

Works more than you do.

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Indianapolis Star — Spoken-word artist, actor, former Black Flag frontman, activist, authoritative-opinion owner and self-described “vinyl cat lady” Henry Rollins is a guy who — to steal a line from a musical about another American overachiever — writes like he’s running out of time.

Rollins, 55, and his endless-bordering-on-insane work ethic has positioned him not just as the “aging alternative icon” he jokingly called himself in the past, but as a harder, steelier critic on a culture that offers no shortage of material. His current spoken-word tour, featuring shows that routinely hit the three-hour mark, visits Indianapolis shortly after Election Day, so there should be no shortage of material.

Rollins checked in via email in September from a tour stop in Australia, weighing in on his approach to the election and what his audience means to him now:

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Question: Obvious yet sincere opener: Who are your favorite musicians/bands from Indiana? 

Answer: The Ink Spots. I got introduced to their music in the late 1980s.

Q: You’ll be here shortly after Election Day/Recount Week/The Fall of the Republic. What’s your mood been about the election?

A: Indifferent. I will vote and live with whatever the result is. President Obama tried to make things better. Congress and the USA were not interested. To be overly concerned with a country that obviously isn’t motivated to confront global climate change, renewable energy, health care or education is a fool’s errand. Marriage equality, something easily covered by the First, Fourth and 14th amendments of the Constitution, had to go to the Supreme Court. USA lost me. I just pay my taxes and obey the law. Past that, I hope I don’t get shot.

The full interview at the Indy Star.

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Chris Cornell Has an Absurd Number of Songs (via Indy Star)

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Indy Star — Great Caesar’s ghost, Chris Cornell has a lot of songs. Technically his current solo acoustic tour supports “Higher Truth,” his sterling fifth solo record and one that’s powered not by the thunderstorm roar of Soundgarden and/or Audioslave but an acoustic guitar — though, happily, his valkyrie four-octave voice hasn’t gone anywhere. (If you haven’t, check out “Nearly Forgot My Broken Heart,” a near-perfect single and a fine on-ramp into where he’s going with this.)

But Cornell’s show, which visits the cozy environs of the Murat on July 9, also draws from a galaxy of work that includes — deep breaths — grunge pioneers Soundgarden, the rhythmic and raging Audioslave, the Seattle supergroup Temple of the Dog and his previous four solo records (including that one with Timbaland). Throw in a James Bond theme, his contribution to “12 Years a Slave,” a cut from the “Singles” soundtrack, a track from a second Seattle supergroup Mad Season and a Donald Trump spoof called “Make America Great Again” and we’re dealing with a pretty huge grab bag.

But more than shining a light on his catalog, this tour serves to reinforce just how powerful Cornell’s voice remains. At 51, he’s applying it to reframed versions of “Black Hole Sun,” “Blow Up the Outside World” and “Doesn’t Remind Me.” But he’s also throwing in material from his recent round of killer viral covers, including a room-flattening “Nothing Compares 2 U,” a rewrite of “The Times They Are a’Changin’,” (in Cornell’s version, they aren’t) “Thank You” (something that probably happens after three solid decades of Plant comparisons) and a live mashup of Metallica’s “One” vs. U2’s “One,” which sounds like it has no right to work and then totally does.

Here’s how he makes his picks, via the Indy Star.

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Luke Bryan Is About to Play to an Awful Lot of People in Indiana (via Indy Star)

636028018097583505-PR-shot-A-Jim-WrightIndy Star — If you’re a fan of beach-country megalith Luke Bryan, you are in the right state. This weekend, Bryan plays back-to-back nights at the Klipsch Music Center, the only act pulling a double-shot there this summer. In October, he’ll bring his eighth annual Farm Tour back to picturesque Spangler Farms near Fort Wayne. All told, in the next three months, Bryan will play to something like 65,000 people in Indiana, after having done basically the same thing last year. (If you’re counting, he also performed in Evansville in February.)

Of all the seat-fillers (and shakers) in country, Bryan is one of the most astonishingly reliable; he and Kenny Chesney could easily spend an evening comparing stadium-show statistics. But for all his success singing of the party life, there are hints of change: Bryan retired his series of annual beer-splashed Spring Break concerts and EPs last year, which was both cause for sadness among his Coppertone-and-bikini-topped fans and probably a solid idea, as — let’s be honest — he’s knocking on 40, married to his high-school sweetheart and raising three kids.

More from one of country’s most reliable draws at the Indy Star.

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Darius Rucker on NASCAR, ‘Purple Rain’ and How He Ended Up Playing Jesus in a Back Seat with Billy Ray Cyrus (via Indy Star)

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Indy Star — Darius Rucker’s Saturday night show should be a little less stressful than his last appearance in Indy, when he had to sing to 350,000 people and time his performance to fighter planes.

“I get a phone call from my manager and he says, ‘They want you to sing the anthem at the Indy 500,’ Rucker says, “I was like, ‘There are so many singers in the world — they want me to do it?”

There are, and he did, and it was an honor — just one that required timing the big finish to the roaring appearance of two F/A-18 Hornets and two E/A-18G Growlers. “You have to sing it at the right time, the planes might be late, the planes might be early,” Rucker laughs. “There’s a guy on the radio with the pilots telling me ‘Stretch it out, stretch it out.’ I was like, ‘Man I’m stretching as much as I can! What do you want me to do, scat in the middle?”

More at the Indy Star.

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Michael Strahan’s Guide to Dreaming Big (via Success)

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Success — In his first career, Michael Strahan was a legend.

He became one of football’s most relentless competitors, as good at bringing down quarterbacks as anyone who ever played. Week after week, he’d tear through opposing offenses like a man without fear. When he retired in 2008, after 15 years in one of the most punishing physical environments in sports, he celebrated by picking up three full-time jobs.

“To be honest, I’m looking for a few more,” Strahan says with a big Strahan laugh. “My afternoons are free.” He’s kidding. I think.

It’s 40 minutes after a Tuesday morning taping of Live with Kelly and Michael, and Strahan has chatted with Kelly Ripa about dirty martinis, interviewed actress Rebel Wilson and concocted a small buffet of Super Bowl snacks. Now he’s headed to the offices of his production company, SMAC Entertainment, where he’ll spend the rest of today. Tomorrow, he’ll be up early for a double-shot hosting Live and Good Morning America, which he joined just over a year ago. And during football season, he’ll follow GMA by flying straight to the West Coast to prep for Fox NFL Sunday, which starts before dawn and eats up all of this day of “rest.” Afterward, it’s back to New York to start the cycle again.

See more at Success.

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Trevor Noah Comes to Indy, Has Some Thoughts on That One Guy (via Indy Star)

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Indy Star — As luck would have it, Trevor Noah calls precisely four seconds after the phone bings to announce President Obama’s nomination of Merrick Garland to the Supreme Court, a move that will inflame the already preeeeeetty well inflamed political universe for the next seven hours — the exact time that Noah and his team will be expected to gauge, parse and tear apart reaction on “The Daily Show.” Happily, Noah is reassuring when I mention the terrible timing: “Don’t worry about that,” he says with a chuckle, “In this election cycle, every day’s terrible timing.”

Indeed, in six months as host of “The Daily Show,” Noah, 32, has been expected to not only assume control of the mothership of American political satire but also inhabit the spirit of its previous host, all while dealing with the unhinged nuttiness of what everyone keeps calling a presidential race. He arrived with a strong pedigree — Noah was a rock star in his native South Africa and had spent years on the American comedy circuit — but his nomination was still a huge surprise, the christening of a new face who’d quickly earned Jon Stewart’s blessings but had actually appeared on his show all of three times. It’s an insanely demanding position, and not one you’d think would lend itself to jetting around for stand-up dates.

More from the Daily Show host. 

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Comedy is One Giant Step for Mankind (and Mick Foley) (via Indy Star)

For All Mankind (AP)

For All Mankind (AP)

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Indy Star — In our 20-minute interview, wrestling legend-turned-comic Mick Foley spot-named the starting lineup of IU’s 1976 championship team, recalled discussing “the gentler sides of his personality” with the lead singer of Twisted Sister, confirmed that he wrote his New York Times best-selling memoir (yeah) longhand and said he literally cannot be around quiche.

If you’re not familiar with Foley, who appears March 13 at Crackers in what he says will be his last comedy/storytelling appearance “for the foreseeable future,” there are many ways to introduce yourself to his work. But you should probably start with his 1998 “Hell in the Cell” match vs. the Undertaker, a legendarily brutal bout in which he (as Mankind) gets thrown off a 16-foot-high steel cage through a ringside table, is wheeled out on a stretcher, lumbers off the stretcher, returns to the cage, climbs to the top again, gets choke-slammed through the cage onto the mat and is briefly shown with a tooth poking out of his nostril. There’s also a body slam onto a pile of thumbtacks.

More Foley at the Indy Star.

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