Review: Jason Isbell and the 400 Unit Need to Quickly Exit the Murat Please (via Indianapolis Monthly)

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Indianapolis Monthly — There’s a moment in Jason Isbell shows that comes during the second verse of “Cover Me Up,” a vivid love letter that’s also the sound of a guy falling to the floor and smashing into pieces. Isbell sings of some definitively indefensible booze-fueled infraction, and midway through it the crowd starts cheering, and this pre-emptive cheer builds on itself and builds some more, and by the time Isbell gets to the payoff line about sobering up and swearing off liquor “forever this time,” this cheer sounds like a wave, an instinctive release of support, and understanding, and either the memory of or wish for committing to the kind of all-or-nothing change required to reclaim a life. It’s an incredible few seconds of direct nerve-to-nerve contact, not to a band or a singer, but to a human being at the front of the room. And even if you’ve seen Isbell’s four Indy-market shows in the past three-and-a-half years, it still wields the power to remind you of his gifts as a writer while also, at the same time, taking your hair and physically blowing it toward the back of your head. Actual, 100 percent physically. I am pretty sure that after “Cover Me Up,” I spent the rest of the night looking like Doctor Who.

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About Jeff Vrabel

My writing has appeared in GQ, Men’s Health, Success, the Washington Post, the official BruceSpringsteen.net, Indianapolis Monthly, Billboard, Modern Bride and more. View all posts by Jeff Vrabel

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