Give This Man Some More Awards: A Review of Gregory Porter at the Palladium (Indianapolis Monthly)

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Indianapolis Monthly — Gregory Porter’s rich, sturdy baritone is filed under jazz in large part because singers have to be called something; those “genre” fields don’t fill themselves out, people.

It’s true that Porter won exceedingly deserved jazz vocal Grammys for 2017’s Take Me to the Alleyand 2014’s Liquid Spirit (and odds are pretty good on a third for his new tribute album, Nat “King” Cole and Me), all of which arrived via Blue Note. But while his big, booming voice is worthy of gold, filing it under jazz leaves out more than it lets in. Porter wields command over a vast range of genre fields, as he proved in a gleaming and diverse Saturday night set at the Palladium: Rare is the performer who can conjure Cole’s ghost, lead his own band through a steam-train version of “Papa Was a Rollin’ Stone” and close by gorgeously damning an industry complicit in “musical genocide” all in a baritone that booms as much as it comforts.

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About Jeff Vrabel

My writing has appeared in GQ, Men’s Health, Success, the Washington Post, the official BruceSpringsteen.net, Indianapolis Monthly, Billboard, Modern Bride and more. View all posts by Jeff Vrabel

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